above: From the series, Everything is American
From Wikipedia:
Using a combination of fiction, artifice, and make-believe to represent the human condition, many of White's photographs explore America’s social fictions and the tensions in identity and perception they generate. White shares a relationship with the directorial forms of photography practised by such artists as Gregory Crewdson and Jeff Wall. Applying cinematic techniques, his set-up photographs are directed and staged narrative stills. This narrative focus can be perceived in his previous photographic series like In a Matter of Days (1999) or Understanding Joshua (2001) which employ a pictorial play between reality and fiction, occasionally taken to grotesque extremes. Understanding Joshua is a series of photos of a puppet meant to represent "complete fragility manifest in a body,"[1] placed in various situations related to human relationships.
above: From the series, Understanding Joshua
Robin Rhode
From wikipedia:
Robin Rhode is a South African artist, born 1976 in Cape Town, South Africa, now based in Berlin, Germany. In 1998, he obtained a diploma in Fine Art from Technikon Witwatersrand in Johannesburg, South Africa, followed by a postgraduate program at theSouth African School of Film, Television and Dramatic Art in Johannesburg.
Working predominantly with everyday material like charcoal, chalk and paint, Rhode started out creating performances that are based on his own drawings of objects that he interacts with. He expanded and refined this practice into creating photography sequences and digital animations. These works are characterized by an interdisciplinary approach that brings aspects of performance, happening, drawing, film and photography together. Rhode often returns to his native South Africa, creating work in the streets of Johannesburg and continuously registering the traces of poverty and social inequality. An outstanding characteristic of his works is his addressing of social concerns in a playful and productive manner, incorporating these issues into his practice without simplifying or judging them.
Spencer Tunick
From Wikipedia:
Spencer Tunick (born January 1, 1967) is an American artist. He is best known for his installations that feature large numbers of nude people posed in artistic formations. His installations are often situated in urban locations throughout the world. He also has done some "Beyond The City" woodland and beach installations and still does individuals and small groups occasionally.
In 1992, Tunick started out documenting live nudes in public locations in New York through video and photographs. His early works from this period focus more on a single nude individual to small groups of nudes. These works are much more intimate images than the massive installations for which he's now known. By 1994 Tunick had organized and photographed over 65 temporary site related installations in the United States and abroad. Since then, he has taken his celebration of the nude form international, and has taken photos in cities that include Cork, Dublin, Bruges, Buenos Aires, Buffalo, Lisbon, London, Lyon, Melbourne, Montreal, Rome, San Sebastián, São Paulo, Caracas, Newcastle/Gateshead, Vienna, Düsseldorf, Helsinki, Santiago, Mexico City and Amsterdam. In August of 1997, Tunick photographed a large group of nudes at The Great Went, a festival hosted by Phish in Limestone, Maine.
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